I have had a few snow painting experiences in the past, some have been white outs where the snow landing thickly on the palette has meant I've given up, but although it was snowing whilst producing this piece it was thin enough not to obstruct the process.
Showing posts with label Winter. Show all posts
Showing posts with label Winter. Show all posts
Tuesday, 26 March 2013
Oil Painting 60 - Winter Scene on the Trent and Mersey
I have had a few snow painting experiences in the past, some have been white outs where the snow landing thickly on the palette has meant I've given up, but although it was snowing whilst producing this piece it was thin enough not to obstruct the process.
Thursday, 14 February 2013
Oil Painting 58 - Winter Scene from the bow
Quite a small canvas I wanted to reflect the warmth of being inside looking out to the cold snow covered landscape. I dipped in and out of this one over about four sessions whilst also working on Oil Painting 59 - Still life with oil lamp. A snowy landscape is such a fleeting sensation and the view and reflecting light had altered dramatically with each visit but I feel there is enough visually for the subject to work, the warmth of the varnished oak inside contrasts nicely. This interior exterior contrast painting reminded me of a previous called 'Kitchen Window at night' painted outside looking in, on a trip to Provence after a night unable to sleep because of excess beer and bread.
Other artists that spring to mind that I am sure have had an influence in this manner of work are Edward Hopper voyeuristic painting looking into domestic scenes from outside,
or Henri Matisse's views through balcony windows.
Monday, 14 January 2013
Oil Painting 56 - The German Market, Birmingham
These German markets really come to life when the light dulls and the strings of lights that adorn each building make the whole market glow invitingly. I wanted an image that captured some of this bright artificial light in cold dull winter days. I positioned myself alongside the large carousel that dominates Victoria Square. I had clocked this an an interesting subject when I visited the market the previous winter. It proved a really interesting challenge, mainly moving, but even in the intervals where it stopped it never seemed to stop in the same position twice.

Masses of moving intense colours filling a composition. The painting was mainly completed in dull daylight although there was a golden hour everyday at twilight when there was still enough light to see the palette and painting but little enough so that the bright lights of the carousel made it scream out in the landscape.
I enjoy how recognisable but not complete horse shapes appear out of the puzzle of moving colour. The vertical railings looping around the ride cast really interesting moving patterns of light when the daylight had gone completely.
What wasn't so enjoyable was the barrage of fairground organ music you get if you stand for days alongside a carousel trying to attract custom. The tunes this one was playing even made the news when passers by realised that 'Dambusters' and 'Dad's Army' might not be appropriate in a German Wonderland!
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